Last weekend I went to see the Pixar animated movie, “Inside Out,” and reviewed it in this article. In researching the article about positive thinking I just posted before this one, I saw an interesting New York Times article describing the science behind the five emotions in the movie, especially the important role that Sadness played in 11 year old Riley’s mind. The article states that our emotions, when working together in harmony, fuel rational thinking, rather than interfering with it. I think I agree. Rational thinking isn’t the absence of emotion. It’s when one or more of the emotions is sleeping on the job or overpowering the others that we become irrational.
FIVE years ago, the writer and director Pete Docter of Pixar reached out to us to talk over an idea for a film, one that would portray how emotions work inside a person’s head and at the same time shape a person’s outer life with other people. He wanted to do this all in the mind of an 11-year-old girl as she navigated a few difficult days in her life.
As scientists who have studied emotion for decades, we were delighted to be asked. We ended up serving as scientific consultants for the movie, “Inside Out,” which was recently released.
Our conversations with Mr. Docter and his team were generally about the science related to questions at the heart of the film: How do emotions govern the stream of consciousness? How do emotions color our memories of the past? What is the emotional life of an 11-year-old girl like? (Studies find that the experience of positive emotions begins to drop precipitously in frequency and intensity at that age.)
“Inside Out” is about how five emotions — personified as the characters Anger, Disgust, Fear, Sadness and Joy — grapple for control of the mind of an 11-year-old girl named Riley during the tumult of a move from Minnesota to San Francisco. (One of us suggested that the film include the full array of emotions now studied in science, but Mr. Docter rejected this idea for the simple reason that the story could handle only five or six characters.)
Riley’s personality is principally defined by Joy, and this is fitting with what we know scientifically. Studies find that our identities are defined by specific emotions, which shape how we perceive the world, how we express ourselves and the responses we evoke in others.
But the real star of the film is Sadness, for “Inside Out” is a film about loss and what people gain when guided by feelings of sadness. Riley loses friends and her home in her move from Minnesota. Even more poignantly, she has entered the preteen years, which entails a loss of childhood.
We do have some quibbles with the portrayal of sadness in “Inside Out.” Sadness is seen as a drag, a sluggish character that Joy literally has to drag around through Riley’s mind. In fact, studies find that sadness is associated with elevated physiological arousal, activating the body to respond to loss. And in the film, Sadness is frumpy and off-putting. More often in real life, one person’s sadness pulls other people in to comfort and help.
Those quibbles aside, however, the movie’s portrayal of sadness successfully dramatizes two central insights from the science of emotion.
First, emotions organize — rather than disrupt — rational thinking. Traditionally, in the history of Western thought, the prevailing view has been that emotions are enemies of rationality and disruptive of cooperative social relations.
But the truth is that emotions guide our perceptions of the world, our memories of the past and even our moral judgments of right and wrong, most typically in ways that enable effective responses to the current situation. For example, studies find that when we are angry we are acutely attuned to what is unfair, which helps animate actions that remedy injustice.
We see this in “Inside Out.” Sadness gradually takes control of Riley’s thought processes about the changes she is going through. This is most evident when Sadness adds blue hues to the images of Riley’s memories of her life in Minnesota. Scientific studies find that our current emotions shape what we remember of the past. This is a vital function of Sadness in the film: It guides Riley to recognize the changes she is going through and what she has lost, which sets the stage for her to develop new facets of her identity.
Second, emotions organize — rather than disrupt — our social lives. Studies have found, for example, that emotions structure (not just color) such disparate social interactions as attachment between parents and children, sibling conflicts, flirtations between young courters and negotiations between rivals.
Other studies find that it is anger (more so than a sense of political identity) that moves social collectives to protest and remedy injustice. Research that one of us has conducted has found that expressions of embarrassment trigger others to forgive when we’ve acted in ways that momentarily violate social norms.
This insight, too, is dramatized in the movie. You might be inclined to think of sadness as a state defined by inaction and passivity — the absence of any purposeful action. But in “Inside Out,” as in real life, sadness prompts people to unite in response to loss. We see this first in an angry outburst at the dinner table that causes Riley to storm upstairs to lie alone in a dark room, leaving her dad to wonder what to do.
And toward the end of the film, it is Sadness that leads Riley to reunite with her parents, involving forms of touch and emotional sounds called “vocal bursts” — which one of us has studied in the lab — that convey the profound delights of reunion.
“Inside Out” offers a new approach to sadness. Its central insight: Embrace sadness, let it unfold, engage patiently with a preteen’s emotional struggles. Sadness will clarify what has been lost (childhood) and move the family toward what is to be gained: the foundations of new identities, for children and parents alike.
Positive thinking taken to extremes is deluded thinking.
I’ve seen several blog posts about the problem of forced positive thinking lately, and since this is an issue that has concerned me for a long time, I thought I’d add my own take on it.
In recent years, there’s been an increased societal pressure toward “positive thinking.” I think two factors have led to this trend–the New Age philosophy that we can “be as gods ourselves,” and the continued glorification of the Reaganistic optimism of the 1980s. The signs are everywhere, in self-help and pop psychology books, in countless popular slogans and memes that appear on bumper stickers and coffee mugs, on motivational posters, on calendars, on the political campaign trail, and all over social media such as Facebook. The forced positive thinking brigade has even infiltrated churches. Motivational speakers like Tony Robbins and preachers of the “Prosperity Gospel” like Joel Osteen have gotten rich by telling us that if we only think positive thoughts, our entire lives will change for the better. They tell us if we let go of negative thought patterns, we can become happy, successful, healthy, and wealthy.
This is all fine and good, and personally I see nothing wrong with positive thinking for its own sake. Even if the outer trappings of your life rival those of someone living in a Third World nation, it’s certainly better for you if you can scare up a little optimism and hopefulness, and it’s definitely bad for you to dwell in hopelessness, depression and negativity. At the very least, seeing the glass as always half-full will make you more accepting of your sorry lot and therefore happier. That said, it’s incredibly difficult to see the glass as half full when there is barely a drop in your glass. That would be deluded, not positive, thinking.
For all its advantages to our psychological well-being, there’s a dark side to the positive thinking movement too, which goes hand in hand with the current societal glorification of narcissism and the nasty belief that selfishness and lack of compassion are virtues. While telling people that thinking positive thoughts is not a bad thing itself (because there is truth to the idea that negativity tends to draw in negative things–I have seen this dynamic for myself), the positive thinking movement has been taken to disturbing extremes. It’s led to victim-blaming and an overall lack of empathy for the less fortunate. The poor are blamed for their own poverty, regardless of the circumstances that might have led to it or keep them trapped there. They are told they are “not positive enough” or “made bad choices.” Even worse, some churches of the “prosperity gospel” ilk tell them they must have some moral failing or God would be rewarding them with material blessings. They are made to feel shame and guilt for their sorry financial condition. The chronically ill and disabled are likewise blamed for “not taking care of themselves” or “choosing bad habits.” It’s easy enough for someone who has never had to struggle with poverty or serious illness to thumb their noses at those who have and tell them it’s all their own fault.
Is this the way Jesus would have acted? No, of course it isn’t. In fact, most of Jesus’ followers and disciples were the most financially and physically vulnerable members of his society. Jesus himself was humble carpenter and certainly not rich. He didn’t condemn these unfortunates or shame them for failing to be positive enough, or making the “wrong choices.” In fact, he seemed to love these vulnerable people most of all. Whatever happened to the “social gospel” of the late 19th and early 20th century? Oh, that’s right–it became “communism.” Somewhere along the way, compassion for the less fortunate and the culture of charity got twisted into “weakness” and “enabling.” The enormous popularity of Ayn Rand, who believed the greatest human evil was altruism, is disturbing, especially since her philosophy of “objectivism” has infected the minds of powerful politicians of a certain political persuasion, including many “Christians.”
While I don’t subscribe to some Christian fundamentalists’ idea that Satan is behind all this worship of greed and self-love and the denigration and victim-blaming of the less fortunate, I do think it’s a very destructive turn in the way our culture thinks, and it’s psychopathic in nature. Lately I’ve been seeing more blog articles criticizing this trend, and that seems like a good sign that at least a few people (usually victims of narcissistic abuse themselves) are finally realizing our society has become woefully empathy-deprived. Hopefully their message can break out of the blogosphere it’s currently confined to and begin to touch the hearts of The Powers That Be who are not yet completely brainwashed by the Cult of John Galt.
It’s absolutely fine (and desirable) to be a positive thinker, because positive thinking does tend to have its rewards, but blaming the misfortunes of others on their negative thinking or worse, their moral failings is just a form of societal gaslighting and is utterly evil itself. It’s also rife with hypocrisy– the Positive Thinking Powers That Be denigrate the emotions of guilt and shame for themselves, but they make sure those who haven’t been blessed the way they have feel plenty of guilt and shame for not having been “enough.” They never stop to think how impossible it is for someone who is struggling every day just to have enough to eat or with severe pain or illness to think in a positive way. It’s much easier for the already privileged and healthy to be able to say “life is good” and mean it. The well heeled Positive Thinking bots never stop to think of this–or they just don’t care, which is most likely the case, because those who haven’t been “blessed” with wealth or good health MUST have done something wrong to deserve it.
Any society that is empathy-starved is eventually going to self destruct.
Yesterday I decided to take myself to the movies for a change, and chose to see “Inside Out,” the Disney Pixar animated summer fantasy blockbuster.
Seeing “Inside Out” was a serendipitous choice, because I just happened to have enough money to afford a ticket (which is a rarity for me), and also because, although I didn’t know it right away, this movie has a beautiful message about the way Sadness and Joy, though seemingly polar opposites, when working together make human connection and unconditional love possible. Just as the light can’t exist without darkness, or good without evil, joy cannot exist without sadness. When working in sync with each other, these two emotions create a beautiful life affirming thing called Empathy, and that’s what connects us to each other and keeps the human race from becoming extinct.
Official Trailer
Sneak Preview–Teaser Clips
Riley Andersen is a young girl of 11 who becomes severely depressed after her parents’ decision to move from Minnesota to San Francisco. The movie begins at the moment of Riley’s birth in Minnesota, shown from Riley’s point of view. Her first Emotions (depicted as loveable anthropomorphized characters) are Joy (feeling secure in her parent’s love) and Sadness (when she needs something or feels ignored or in pain). As Riley grows into early toddlerhood, sometimes her needs and desires are thwarted and Anger takes over and she throws a tantrum. Around the same time she is also capable of feeling Fear or Disgust (both necessary for her survival), and it’s at those times those characters become dominant in Riley’s growing mind.
When the five Emotions work together in harmony, not overstepping each other’s boundaries and only doing the jobs assigned to them, this teamwork manifests in Riley as a well-adjusted little girl able to feel all her emotions at the appropriate times.
The five Emotions work in Headquarters, which is the conscious part of Riley’s young mind. Joy is responsible for making sure Riley’s short term memories are sent to Long Term Memory deep in Riley’s subconscious. Her memories are depicted as glowing colored orbs containing a ghostly image of the actual memory. The color of the orbs represent the dominant Emotion Riley felt at the time of the event. Transporting Short Term memories into Long Term Memory happens during Dream Production as Riley sleeps, and sometimes the other Emotions are needed to help Joy do her job getting the memories there (and sometimes discarding certain irrelevant or painful ones.) Occasionally the other Emotions (as well as Riley’s imaginary childhood friend, Bing Bong, who is a jokester) like to play little jokes–and certain irrelevant memories like an annoying gum commercial jingle are sent to Long Term Memory along with the important memories, which causes Riley to occasionally hear the gum jingle in her head at random times years later.
At the center of Headquarters is the vault which contains Riley’s Core Memories–important but happy long term memories that are responsible for Riley’s happy go lucky personality. The orbs that represent these are colored gold (Joy’s color) and for Riley’s continued mental health, these core memories must not be contaminated by the other Emotions, which is why they are kept locked in a vault. Each of the Core Memories has a long glowing tube that leads to one of Riley’s Five Islands of Personality: Family, Goofiness, Hockey (which she loves to play), Friendship, and Honesty. Maintaining these islands is necessary for Riley’s continued normal psychological development.
The crisis in Riley’s mind is set off when her family moves from her beloved Minnesota to San Francisco. Moving away is always a traumatic event for even the most loved child. Feeling isolated from her old friends and lonely in a place she doesn’t know, Riley’s Emotions begin to make mistakes and not work in sync. Joy and the other Emotions have never been sure of Sadness’s purpose because she just seems to be a Debbie Downer who is always in the way and always making mistakes. It’s Joy’s job to keep Riley’s happiness intact, but one day shortly after the traumatic move, Sadness goes around touching Riley’s happy memories, turning them blue (sad). Joy frantically tries to undo the damage but the memories already touched cannot be repaired. Desperate, Joy tries to isolate Sadness to prevent her from doing any more damage.
On Riley’s first day at her new school, Sadness takes over and Riley begins to cry in class, which creates a new but painful core memory. Joy frantically tries to keep this new core memory from reaching the central vault, but in her struggle with Sadness, who seems to keep contaminating more memories, she accidentally knocks out some of Riley’s untouched happy core memories, which fall off into the abyss. These memories are almost impossible to retrieve once lost to Riley’s Unconscious. Worse yet, both Joy and Sadness are sucked through the Long Term Memory Tube themselves, and are both lost deep in Riley’s vast and labyrinthine Unconscious.
During Joy and Sadness’s absence, Anger, Fear and Disgust attempt to run Headquarters in their place and make a holy mess of things. They attempt to provide “joy” but of course it’s faked now, rather than genuine. Sadness too is absent, so Riley can no longer longer cry or even feel grief over her loss. Anger, Fear and Disgust manifest in Riley’s new insolent and angry attitude toward her parents and loss of interest in the things she used to love. With the core memories now missing or contaminated, one by one the Five Islands of Personality crumble and fall into the abyss of the Memory Dump, a place deep in Riley’s mind where old memories are forgotten. The first Island to crumble into oblivion is Goofiness (Riley’s sense of humor), followed by Hockey (which she quits), and then Friendship (she no longer has any desire to make new friends).
Joy and Sadness find themselves adrift after falling through the Long Term Memory tube deep into Riley’s unconscious mind.
Desperate, Anger decides to insert in Riley’s mind the idea to run back to Minnesota. He plugs this into the Control Console, in the belief this can produce new happy memories. This requires Riley to steal money from her mother’s purse in order to fund her trip back to Minnesota, and then she lies about the theft. As a result, the second to last Island left, Honesty, falls away in ruins into the Memory Dump.
Back in the abyss of Riley’s deep Unconscious, Joy and Sadness run into Bing Bong, Riley’s long forgotten childhood imaginary friend. Bing Bong wants to reconnect with Riley, so he tells Joy and Sadness they can all get back to Headquarters by riding the Train of Thought. After a series of failed attempts, they eventually catch the train, but it becomes derailed when the last personality island, Family, falls into the Dump.
At this point, giving any more away would be spoiling the plot, but gradually Joy and Sadness, who have always been at odds with each other, realize that in order for Riley to return to her normal happy state of mind, they must work together as a team and Sadness has the biggest job of all. Riley must be able to experience–and receive–empathy and love (which comprise both joy and sadness) to heal from her near-catatonic depression.
As a blogger about narcissism and personality disorders, I see Riley at this point in grave danger of suicide or developing a personality disorder, even NPD or BPD. Her trauma-induced depression has caused her to become apathetic and unable to feel anything at all. What happens next is so magical and touched me so deeply I sat there in the darkened theater with tears running unchecked down my face and my nose running. I wasn’t alone–I heard sniffles and nose blowing all over the theater, and there’s a safety and sense of connection with total strangers that comes from that, and that’s why going to see a good movie never gets old. There’s something wonderfully liberating about being able to cry in a public place yet unseen by others and unjudged for it because everyone else is crying too. I think that’s why “heartstring tugging” movies are so popular. But the emotions elicited in “Inside Out” feel real–there’s no sappiness or fake sentimentality in this film that make you feel manipulated by the producers.
The five Islands of Personality.
But for all its poignancy, “Inside Out” has plenty of humor too, and all the jokes are clever and well timed. At times during the movie I was both laughing and crying at the same time. The Five Emotions are all funny characters with their own unique charm. Even Anger is loveable and hilarious in his own irascible way, and the Tinker-Bell like Joy, who could have been incredibly annoying for all her upbeat perkiness, has a depth you don’t expect and over time you realize she is the only Emotion who can feel all the other Emotions. I pictured Joy and Sadness as really being the same person–the two sides of Riley’s True Self–and when they were lost in Riley’s memory dump, Riley’s behavior became quite narcissistic. It wasn’t lost on me that both Joy’s hair color and her “aura” are colored blue–Sadness’ color.
Pete Doctor, the film’s director and screenwriter, was inspired to develop “Inside Out” while trying to come to terms with his own daughter’s psychological changes and mood swings as she approached adolescence. To give the complex psychological concepts presented credibility, well-known developmental psychologists were consulted during pre-production. It’s obvious that a deep knowledge of the way the human mind works fueled both the story and the landscape of Riley’s mind. Kids will adore “Inside Out” because of its lovable characters, fantastic animation, humor, its engaging story about a regular girl, and impressive special effects. In the theater I saw it in, there were plenty of children there, and all of them were rapt in the story.
But adults will love it just as much because of the movie’s deep message of Empathy being born from pain and loss, and the necessity of “negative” emotions to exist in a healthy person’s psyche, working in tandem with “positive” ones. Understanding the movie at this level requires an ability to think in an abstract way about the mechanisms behind personality development and psychological disorders. “Inside Out” is a rare movie that celebrates the human ability to feel, and to love, cry, connect, and laugh. It tells kids that all their emotions are okay, and experiencing them is normal and just part of growing up.
Parents, if you have children ages 4 to early teens, please take them to see “Inside Out.” Both you and they will leave the theater feeling great, and the ideas presented in the story can open up honest discussion about emotions between parents and their children. I’d even go so far as to suggest teachers show this movie to their students, and engage them in discussion afterwards.
I find it encouraging and heartening that such an honest and touching movie with a positive message about genuine emotions and empathy has become the hit of the summer, instead of the usual mindless dreck that passes for summer blockbusters.
“Inside Out” is rated PG. I would not recommend it for children age 3 and younger, due to several quite scary moments that could give a young child nightmares.
Riley with her concerned parents at the dinner table.
“Inside Out” is a 2015 American 3D computer-animated comedy-drama film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed and co-written by Pete Docter, the film is set in the mind of a young girl, Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Anger (Lewis Black), Disgust (Mindy Kaling), Fear (Bill Hader), and Sadness (Phyllis Smith)—try to lead her through life as she moves with her parents (Diane Lane and Kyle MacLachlan) to a new city. The film was co-directed and co-written by Ronnie del Carmen and produced by Jonas Rivera, with music composed by Michael Giacchino.
Docter first began developing Inside Out in 2009 after noticing changes in his daughter’s personality as she grew older. The film’s producers consulted numerous psychologists, including Dacher Keltner[6] from the University of California, Berkeley, who helped revise the story emphasizing the neuropsychological findings that human emotions are mirrored in interpersonal relationships and can be significantly moderated by them.
After premiering at the 68th Cannes Film Festival in May, Inside Out was released on June 19, 2015. It received universal critical acclaim, with many film critics praising the voice performances (particularly for Poehler, Smith, and Richard Kind), its concept and poignant subject matter. The film grossed $90.4 million in its first weekend—the highest opening for an original title, besting Avatar ’s previous record.
I decided I spend enough time every weekend holed up in my small dark house blogging like a maniac like some sort of avoidant Aspie hermit (which I kind of am!) Suddenly the idea came to me that I wanted–needed–to spend part of today doing something different. It’s too cloudy for the pool or lake, and I have no one to go with anyway, so I decided going to the movies would be a good idea.
Here’s an example of the wonderful and mysterious ways God sometimes works. When I Googled movies in my area the first one I saw was the popular Pixar cartoon, “Inside Out.” Yes, it’s a kid’s movie but seems to have a very profound message of empathy–and it appears to be a girl who shuts off her true feelings following a traumatic event for any child–moving away. Anything sound familiar to those of you who read about narcissism? 😉
I am posting both the description of the movie as well as the Google results “Inside Out and Empathy.”
Click to enlarge.
It’s almost surreal the way this happened. I mean, I almost NEVER have the idea to go to a movie, because I never have enough money–but this week I do.
Something similar happened with the comedy-drama “Welcome to Me,” which I saw in May. I had no idea before I entered the theatre that it was about a woman with BPD, which I was reading and writing a lot about at the time.
I can’t believe I’m this excited to see a children’s movie, but I think it’s going to have a lot to do with what I have been focusing on in myself and on this blog–empathy. I will be writing up a review tonight, when it’s still fresh on my mind. I also need a good cry and I have a strong feeling this movie will be making me bawl. Should I come armed with a box of Kleenex? Sometimes emotional music and movies are the most effective ways for me to get the tears out.
WARNING: THIS ARTICLE MAY BE TRIGGERING.
I spent the first 13 years of my life almost constantly crying. I was a perpetually squalling cranky baby, a screaming tantrum-throwing toddler, a tearful preschooler, and a school child prone to attacks of uncontrolled crying in public places and embarrassing situations. During my teen years, my crying was downgraded to near-constant sulking and negativity. Tears came mostly when I was angry or frustrated by the time puberty hit. Rage frequently accompanied the tears, or maybe it worked the other way around.
I had the curse of the blonde and fair skinned, so my emotions showed on my face in neon reds and pinks against the white background of my skin. I blushed easily and that was embarrassing enough. I could feel the blood rising up my neck like a sudden wave of heat and my ears would start to burn. My bullies picked on my tendency to blush and would deliberately embarrass or humiliate me to see my ghostly pale face turn as red as a fire engine. If it went on long enough, my lips would start to quiver and there would be tears, and that’s what they were really waiting for–to see me cry.
The crying was awful. I wasn’t a pretty crier; in fact I was ugly when I cried. My skin would turn into a mottled red and pink that looked like a bad case of rosacea, my nose ran like a faucet and turned so red it was nearly purple, and my eyelids turned bright red too and swelled up as if they were bee-stung. It would take hours for these facial giveaways of my pathetic vulnerability to finally disappear.
I had a great deal of difficulty controlling all the intense and confusing emotions that seemed to crash over me like tidal waves when I least expected it. These feelings were just too big for me to handle, and I was so easily overwhelmed by them and had trouble soothing myself (this is an early indicator of BPD and other disorders like PTSD). Whenever I cried I thought I would never stop. No one could calm me down. My emotions were a force of nature too powerful to be tamed. When I wasn’t crying, I felt a constant dull ache in my chest (heart area) and congestion in my throat. Even that early, I knew crying would relieve the tightness and pain, but the crying was like vomiting and sometimes as painful because the intense waves of emotion plowed through me like an out of control bulldozer.
Raised by a narcissistic mother and enabling (possibly low spectrum or covert narcissist) dad, I became the the family scapegoat (made even more crazymaking by the fact that as an “only” in their marriage, I also sometimes served as Golden Child). I was either held on a pedestal that far exceeded my actual abilities/beauty/intelligence/whatever, but most of the time I WAS NEVER GOOD ENOUGH FOR THEM. I questioned myself and everything I did; it seemed I could do nothing right. I wasn’t allowed to do things for myself or speak my mind. I felt awkward and defective in my family and everywhere else too.
Not long after I started elementary school the bullying started. I was the class crybaby and kids always target the kid who cries the most or seems the most vulnerable. I had no defenses at all; I had never been taught any and lacked the confidence to stand up for myself. Things got especially bad in 3rd – 5th grades. During 4th grade, I was followed home every day by a group of kids who laughed and jeered at the way I walked and imitated my walk, as my tears welled and threatened to overflow (no wonder I hate mimes). The bullies would call out to me and sometimes even throw things to get my attention, but I wouldn’t turn around. I just kept on walking. I knew I couldn’t let them see the tears streaming down my face because that would make everything so much worse.
My third grade teacher, Mrs. Morse, was a psychopath with arms like Jello who always wore sleeveless dresses, so whenever she wrote on the board, all that quivering, pale freckled flab hanging from her bare arm made me want to throw up, but I still couldn’t take my eyes off it. It was mesmerizing in a horrible way, like a car accident.
Mrs. Morse knew how sensitive and scared of everything I was. She knew I was bullied by most of the other kids. But she had no empathy for my plight. She was a sadistic bitch straight from the pit of hell. She deliberately called on me whenever I was daydreaming, which was often (no kids got diagnosed with Aspergers back in those days and the idea of “attachment disorders” that lead to later personality disorders was an afterthought in those days), then she would make me stand in the front of the room and answer a question or solve a math problem while she glowered at me like wolf about to pounce and kill their prey. She never did this to the other kids, who were allowed to answer questions from their seat. She deliberately tried to humiliate me, because she knew she would get a reaction.
One time I couldn’t solve the math problem on the board (which was my worst subject), and she berated and belittled me in front of the class.
“You never pay attention. You’re always daydreaming. Do you have a mental problem?”
The class laughed.
My tongue was in knots and I felt the blood drain from my face. I felt tears burning the backs of my eyelids like acid.
I swallowed hard and tried with all my might not to let a tear loose but they started to flow anyway. I hung my head in shame and rubbed away the tears with my grubby fists as I turned away toward the wall. My narrow back and bony shoulders heaved with silent sobs.
That was exactly the moment this sadistic malignant narcissist who passed for a teacher was waiting for.
“Look everyone! Lauren is crying! Look at the tears! Cry, cry, cry, baby.”
The class burst into screams and hoots of laughter.
“Cry, baby, cry!”
I stood there in front of the class, staring at the floor, snot mingling with my tears, and longed to melt into those scuffed green-gray linoleum tiles, and never return.
In today’s anti-bullying environment, this “teacher” would have been fired for that shit. She might have even lost her teaching license. That kind of thing isn’t put up with anymore.
Later that year, there was a similar blackboard incident. This time, I was stood in front of the room and told I looked like an albino rabbit when I cried. (I actually did, due to my fairness and my slight overbite.) I was mortified as this unbelievable cruel bitch encouraged the entire class to laugh at my pain and humiliation. I ran out of the room and fled to the library sobbing. The librarian was a sweet and very young woman (probably just out of college) who actually liked me and knew about my love for books. That library was my refuse and the librarian was my friend who understood me. This time, she saw me rushing in like that and held her arms out to me as I crashed into her and sobbed into her warm fragrant neck. We stayed like that for a long time, until Mrs. Morse (accompanied by one of her 9 year old flunkies) came marching in looking for me. Mrs. Morse grabbed me roughly by the arm and marched me back to the pits of hell she called a classroom. Sadly, I looked back at my librarian angel and saw the wetness on her face and her sad little wave.
She knew, and I knew she knew. I’ve never forgotten her. Sometimes in my fantasies I still see her waving at me with that sad tearful smile, and that image gives me comfort and strength.
I think my years of uncontrollable emotional displays came to an end when I was 15. They had already been abating somewhat, replaced with rage and anger, but I had trouble controlling my anger and constant dark moods, even though I wasn’t crying as much. I started to drink and do self-destructive things. I started “talking tough” but inside I still felt anything but.
The year before, when I was 14, my parents divorced and I was taken to live with my mother in the city. She loved it; I hated it back then. We fought all the time, mostly because of her self involvement. My grades slipped and I never did my homework. I was depressed all the time and cared about nothing. When I cried (which was still often) I usually did it alone. The other kids at school didn’t like me. I was never invited to parties, always last picked for softball. I felt intimidated and shy all the time, but I still tried hard to make friends–a little too hard. I fit into no clique (I have never fit into any clique) but there was a group of girls low in the high school pecking order consisting of the geeks and quiet, studious girls. They seemed welcoming enough at first. I saw their small (or more likely, polite) displays of acceptance and wanted so badly to believe they actually LIKED me that I guess I started following them around like a needy puppy.
I noticed after awhile they avoided me too, and my “birthday corsage” box was proof of my unpopularity, because it was not signed by all the girls and when it was signed, it was just a name. No long flowery messages, no in-jokes, no high-school risque comments, no “you are such a great friend” or “Love ya, Lauren. XXXXOOOOOO” Just…signatures and an occasional terse “Happy Birthday.”
My fears were confirmed later that day. After weeks of avoiding me, the group of nerdy girls approached me and told me they wanted to take me out to a restaurant for my birthday after school. Wanting so much for them to like me I remember grinning like a fool and nodding like the needy puppy I was. Inside I was a little suspicious, but dammit, I wanted to believe them! Maybe their ignoring me had just been my overactive, “oversensitive” imagination after all, and they really did care. Why else would they want to spend time with me on my birthday?
At the restaurant I was picking up a certain tension. The girls kept looking at each other worriedly and wouldn’t look me in the eye. As I ate, I watched their anxious faces. Something was up, and it wasn’t good. I felt like I was going to throw up. I spoke to no one.
Finally, Harriet, the leader of that clique told me she needed to talk to me–privately. I felt like I was on my way to the principal’s office for some transgression. My heart pounded in my throat and I felt tears burn the backs of my eyelids, but I didn’t cry. I bit my lip until it bled and tried to just breathe through my terror.
Outside, she smiled at me sympathetically. Then went on to tell me the real reason they had planned to take me to lunch was because they didn’t want me to hang around with them anymore and didn’t have the opportunity to tell me at school. She actually got tears in her eyes when she said this, and then told me she hoped my feelings hadn’t been hurt. Um…hello? But all I could do was stand there staring at her as if I was cognitively challenged. For the first time ever, I felt emotionally numb. I didn’t realize at the time that would soon become my new way of coping with my pain.
I was traumatized by that rejection. I spent the next two days in bed. I felt sick and couldn’t go to school. I told no one what happened because the shame was too great. I didn’t cry; I couldn’t anymore. I just wanted to sleep forever and maybe die.
After that I couldn’t cry anymore. At least not in most situations that call for it. I had and still have trouble accessing my emotions. It was too scary to let them out, because when I did, bad things happened. It scares me to realize I might have easily become a narcissist, splitting off from all soft emotions, even empathy and guilt. Many narcissists started life this way too, without natural defenses.
I know now whenever I feel that painful tightness in my chest and throat, that means I need to cry. I’m not afraid of it anymore. I want to retrieve my long-ago ability to feel intensely connected to my emotions, because used properly, being an HSP is a gift and a blessing. The big difference will be that I’ll be able to let emotions pass through me freely and be able to express them without shame and without allowing them to overwhelm me or control me.
I thought this may interest those of you who read my article from April 30, “Another Narcissist Who Wants Help.” It’s a followup email he sent me yesterday, describing some of the things he’d doing to attempt to heal himself from NPD or at least be able to control its symptoms better.
* I do have some doubt he actually has NPD though, due to what appears to be a normal level of empathy and a lot of self-awareness; I think he may be being too hard on himself and suffers instead from something like BPD. He also has no official diagnosis.
All that being said, what this young man is trying to do and has dedicated himself to doing –opening himself to being vulnerable and letting himself feel and share his honest emotions–is incredibly courageous, especially for someone as young as he is (he’s in his early-mid 20s). He’s also doing his homework–he seems to be doing a LOT of reading about NPD, if this email is any indication. He may not actually be a narcissist, but even so, it’s still a courageous thing he’s doing. Any of us who suffer from being too guarded–which is most of us–can benefit by giving ourselves permission to just feel life in its glorious spectrum of colors.
I can tell this young musician is sincere because he’s been watching all of Brene Brown’s videos . In fact he is the person who tweeted about Brown’s compassionate and sometimes humorous messages of being authentic and vulnerable in a world that hates and fears those things. If you take on the challenge of setting yourself free of whatever traps you– whether it’s a narcissistic mask or the fear that fuels so many other disorders — it takes a lot of strength and courage to do that. Which means becoming vulnerable isn’t becoming “weak” at all — it’s just becoming an authentic human being.
I have permission to repost the email I got, removing personal details like names.
[…]It’s not really a bad thing to share how we are feeling – in fact NOT sharing how I feel is probably one of my biggest downfalls. So it is healthy to express your emotions to someone, wherever they’ve come from. If you’re feeling emotionally down, or wounded it’s worth remembering one of my favourite quotes by Iyanla Vanzant (you’d love her when she talks about relationships check out her appearances on Oprah’s Lifeclass she’s awesome) which is that ‘a wound needs a witness’ – meaning it is in our nature as humans to want to share our feelings. The worst part of narcissism is it leads the narcissist to detach from their true feelings, and results in the narcissist viewing emotions in others as weak. I could imagine that belief that emotions are weak can be contagious but we weren’t put on earth to suppress ourselves, but express ourselves! So remember your feelings are a huge part of who you are so I don’t think you should deny them, and I don’t think it’s a bad thing to express them (even if I have been trying to silence mine for years ha!)
I hope you’re doing well – I’ve been immersed in personal exploration lately. The book ‘The Drama of the Gifted Child’ has been fascinating for me and I’d thoroughly recommend it (or maybe it was you who recommended it to me?) if you want to better understand the origins of narcissism. Much of it resonated with me and it’s a very hopeful and forgiving text. I understand it’s one of the main books on the subject. I’m moving on now to a book called Disarming the Narcissist which is interesting because even though it’s from the point of view of someone living with a narcissist in their life it helps me see how I can better inter-relate with the people in my life.
I’ve kinda realised that the worst parts of narcissism don’t actually manifest themselves in my life at large: I have healthy and thriving friendships. I’m not going to lie and say I am not centre of attention a lot because I am, but I’m here for my friends when they need me and I’m working on being even more available emotionally and otherwise in the future. I don’t think I’m ‘cured’ but I am aware that the extremes of my difficult qualities tend to bubble up tot he surface only in relationships where consistent intimacy is expected. So basically romantic relationships. That’s not to say the work I’m doing on myself isn’t important across my life but it certainly is most relevant when I’m in love, because it is in those times my frequent emotional detachment becomes a problem. Detachment from my own feelings means I am longer able to experience the feelings of those around me, which in time results in me objectifying them and treating them less than well.
Interestingly music has been important for me too. I haven’t really lay down in bed with the lights down low on my own with a great album on in the background in so long. I think listening to music keeps me connected to my emotional experiences and helps draw out my true feelings. Maybe that’s what happened with you before you drafted that post? I think it’s a good thing. Music is, of course, the feelings of other people and we feel connected to the human experience by listening to and enjoying it.
Oh and Brene Brown! What a gem! I’ve downloaded her book Daring Greatly (think that’s its name) and can’t wait to get started. I feel that book is gunna be a proper uplifting read, and with the summer kicking in here now I’m looking forward to reading in the sun in Hyde Park with a gin and tonic and some olives! Yay!
The concept of malignant narcissism and HSP traits coexisting in the same person is a matter that has very little research behind it (I could find nothing at all on Google), so this article is based on my own opinions, gleaned through a combination of my readings and personal observations of the narcissists I have known. My opinion may come as a surprise.
In my article A Match Made in Hell: Narcissists and HSPs, I wrote about the tendency for narcissists and HSPs to form trauma-bonds with each other–that’s really just a fancy way of saying these two seemingly opposite types of people are often drawn to each other and become codependent on each other. The narcissist is both attracted to and repelled by the HSP’s vulnerability and high empathy. They both envy and loathe it; part of this loathing is due to the narcissist’s realization that they NEED the high empathy of the HSP because it’s good narcissistic supply and makes them feel validated. It’s also a quality that on some level (perhaps unconscious) they know they jettisoned a long time ago, and that knowledge causes them to envy and hate the HSP at the same time they depend on them. Because they hate their own vulnerability and hide it from the world (and see dependence as vulnerability) that’s another reason why they may abuse the very person who gives them a reason to exist.
The narcissist feeds off the HSP like a vampire feeds on blood. This can be an extremely unhealthy, even deadly, relationship for the HSP, who will eventually either leave the narcissist or be destroyed. But the HSP gets something out of the relationship too–the belief that through their love, they are saving the narcissist from him or herself. They often believe they can “fix” the narcissist through their empathic love and transform them into feeling human beings capable of returning what they have been given. Of course, this belief is almost guaranteed to end in disappointment (if the HSP is lucky), and possibly much worse.
The great irony here is that I think most narcissists are, way deep down, HSPs. No, you didn’t read that wrong.
But how can that be? Narcissists are incapable of empathy, have problems feeling and expressing deep emotions, and are incapable of loving anyone but themselves. Isn’t that the opposite of being an HSP?
Well, yes and no. The explanation is complicated, so I hope you stay with me here.
As I’ve explained before, I think most narcissists began life as highly sensitive people who at an early age suffered psychological trauma due to abuse. This caused them to shut off their too-vulnerable true (authentic) selves from the world and in its place construct an elaborate defense mechanism–the false self–initially meant to protect the vulnerable true self from further harm, which has no defenses at all. Even HSPs who are not narcissists have some protective psychological armor, so they did not need to construct a false self to take the place of the true one. Healthy HSPs are truly authentic people who feel deeply and are emotionally honest with themselves and others. Narcissists were born with no emotional defenses at all; the false self replaces the true one and appears invulnerable. But this is only an illusion, because the mask is only an illusion. When you face a narcissist, you will never know who that person really is because all they will show you is the protective mask they have created. They are so terrified of further hurt that they will attack with vicious ferocity if they think you pose any threat to its flimsy underpinnings. It must be a terrifying way to live.
The high sensitivity of a narcissist is retained in the way they react to personal insults or slights. They are huge babies who overreact when they feel like they are being attacked, ignored, or they perceive their source of narcissistic supply may be in danger. They are paranoid, touchy, and utterly lacking a sense of humor, especially about themselves. They may try to appear as if they don’t care, usually through the “silent treatment” or sneaky attacks such as triangulating against or gaslighting the person they perceive as a threat, but if you know narcissism, it’s usually not too hard to see the emotional fragility behind their acts of false bravado. However, when it comes to other people, they can seem incredibly insensitive. Here’s the rub: for malignant narcissists, this isn’t really the case at all. Stay with me here.
Warm and cold empathy.
In my research about NPD, there has been a lot of discussion about a concept called “cold” empathy. For those of you who don’t know what this is, I will explain. Most of us associate narcissism with a lack of empathy, but this isn’t exactly the case. Most narcissists–especially malignant ones–do have empathy, but it’s not emotional or affective empathy; it’s cognitive or “cold” empathy. What this means is that a narcissist KNOWS what you are feeling very well, and may use what they know you are feeling against you. Cold empathy is “felt” on the cognitive (thinking) level, but not as an emotion, and that is why the narcissist can feel no compunctions about turning your feelings against you in order to hurt you.
An extreme example of this would be the sadistic, psychopathic rapist. The rapist “smells” your fear and uses that against you to become even more sadistic. It *is* empathy, but it’s “cold”–the rapist understands exactly what you are feeling and your fear makes him feel powerful, so he increases the level of torment. He feeds off your fear like a vulture feeds on carrion. You don’t need to tell him you’re afraid; he KNOWS.
Cold empathy is the twisted narcissistic mirror image of warm empathy, which non-pathological people are capable of feeling on an emotional, not just a cognitive level. HSPs have more warm empathy than anyone. Here’s where things get complicated. If a narcissist is also an HSP, their high sensitivity can morph into a quality that seems almost supernatural and is utterly chilling–a cold, sadistic form of “empathy” where they seem to be able to see into your mind. A non-sensitive person would not be able to detect your emotions without you telling them how you feel, and therefore not have that creepy, unsettling way of “seeing into your soul” that the malignant narcissist does. The higher the sensitivity a narcissist has, the more malignant they will be.
This idea was actually illustrated in the humorous-but-true graph I posted the other day (shown above), where initially I wondered why “malignant narcissism” was showing so high in HSP traits. But actually it makes perfect sense. A HSP who adopts narcissism as a way to cope with the world will become malignant or even psychopathic. A non-HSP may still become a narcissist, but they lack enough “cold empathy” to become malignant.
In summary, HSPs can be the most kind and caring people you can ever hope to meet–or the most dangerous. A narcissistic HSP is a malicious, deadly beast who is best avoided.
They are two sides of the same coin. No wonder they are so often drawn to each other. The tragedy is that a malignant narcissist can infect a previously healthy HSP with their evil but it doesn’t work the other way around: a non-narcissistic HSP cannot change a malignant narcissist into a good person.
So. Why not take the idea described in my last article to even more absurd extremes. Yes, it’s the Narcautism Spectrum!
This invaluable tool for study was tweeted to me by a blogger, Don “Dr.” Depresso, who was inspired to send it to me because of the article I posted earlier tonight.
All kidding aside, the chart does make sense, but I’m trying to figure out how “malignant narcissism” is where it is on the chart. I think it refers to the fact that MN’s have a high level of cognitive (“cold”) empathy–they KNOW how you feel, and use it against you. It looks like the “intersection” would be where non-narcissistic neurotypicals (most people) would be. The Schizoid is a complete droid–no empathy (either warm or cold) and no social skills.
Narcissism and autism–they go together, like rama lamma lamma ka dinga da dinga dong.
Manic Chart: Narcautism Spectrum Narcautism Spectrum = intersection of narcissism and autism spectra, shown across two dimensions of empathy. Low affective empathy (not caring how people feel) is related to narcissism, while low cognitive empathy (not knowing how people feel) is related to autism. Chart not drawn to scale.
I’ve noticed something strange about some narcissists that I’ve never seen mentioned anywhere else. Some narcissists, though lacking empathy for other people, seem to have it in spades for animals. Even some psychopathic malignant narcissists are actually very good with non-human creatures. My ex is one of these. He cried like a baby when our dog, Daisy, died of a massive stroke in early 2013. He was always very kind to her and the cats. He used to be beside himself with worry when one of them got sick. The animals seemed to trust him and even preferred him to me! In spite of being No Contact (really, very low contact) with him, I completely trusted him when I had to recently rehome two cats and a dog, all whom I cared about very much (the pets are now staying with my daughter).
But that’s the only time you would ever see him be genuinely kind. Any “kindness” he showed other people was meant to be either manipulative or to impress.
A commenter on another post, discussing her psychopathic ex-lover who is still actively gaslighting her and generally being psychologically abusive, had this to say about him:
The guy I know loves cats. Many of the photographs he sent me have him in photos with kittens in his hands. The photos make him look very loving. Because you would think that any man that relates to cats and kittens in photos would be loving, gentle and harmless.
[…] His nickname for me was Kitty Kat.
This phenomenon is actually pretty common. It surprises me it’s almost never discussed.
So here is the conclusion I come to about why some narcissists can genuinely feel empathy for animals. The problem isn’t that the narcissist lacks empathy per se, but that they have shut off their capacity to feel empathy for other humans. They may feel it for an animal (or maybe for some, a lesser or non-mammalian animal because dogs and cats may be seen as “too human.”). Here are two surprisingly touching essays Sam Vaknin wrote about his relationship with a goldfish and a snail. The reason some narcissists have normal or even excessive levels of empathy for animals is because animals are “safer” to feel empathy for than other humans, who they have come to hate and devalue due to abuse they suffered at the hands of their parents.
Of course this doesn’t apply to all narcissists or people with an antisocial personality. We have all read of cases of serial killers and other sadistic criminals who spent their childhoods tormenting all living creatures, even the lowly ants and spiders of the world. But only some are like this. Most are probably indifferent to animals.
Mama’s boys.
I have also seen a related phenomenon that’s even more strange than the affinity some narcs have with animals. Some psychopaths and malignant narcissists (almost always male) who seem to live to abuse or even torment other people, at the same time seem to genuinely love their own mothers and even feel protective of them. You hear about serial killers who worshipped their mothers (but hate all other women), even though the mothers were almost always abusive to them. The movie “Psycho” illustrates this in Norman Bates’ relationship with his dead mother. Obviously the exceptions these psychopaths make for their mothers are rooted in severe codependency to the point most people see their relationships with them as “sick,” but it’s still an indicator of a more vulnerable, codependent side of themselves they show to no one else.
For both the seriously character disordered who love animals (because they’re safer to love than people) and those who love their mothers (because they have unhealthy codependency with them), it’s as if little piece of their true self somehow remains split off and immune from their otherwise impenetrable wall of narcissism.