Here is my favorite Christmas movie ever. I’ve watched it almost every year since I was a small child. I always felt like I could relate to Charlie Brown–self doubting, a worrywart, a little avoidant–basically an introvert who tries hard to be liked. He’s never mean to anyone but often seems to be the butt of jokes and pranks.
Charlie also sees all the commercialism around him every holiday season (yes, it was bad even in the ’60s, when this was made) and yearns to know the true meaning of Christmas. Linus, always the philosopher and deep thinker, has the answer.
It’s refreshing that the story of Christ’s birth is central to this movie, which is still shown on network television today.
So here’s my Christmas gift to my followers. Enjoy!
The opening seems to have been cut from this movie (I couldn’t find a full version on Youtube), so here is that too. I always loved the jazzy piano music used in the Peanuts specials.
The famous Christmas dance, also not in the video above:
Yesterday I decided to take myself to the movies for a change, and chose to see “Inside Out,” the Disney Pixar animated summer fantasy blockbuster.
Seeing “Inside Out” was a serendipitous choice, because I just happened to have enough money to afford a ticket (which is a rarity for me), and also because, although I didn’t know it right away, this movie has a beautiful message about the way Sadness and Joy, though seemingly polar opposites, when working together make human connection and unconditional love possible. Just as the light can’t exist without darkness, or good without evil, joy cannot exist without sadness. When working in sync with each other, these two emotions create a beautiful life affirming thing called Empathy, and that’s what connects us to each other and keeps the human race from becoming extinct.
Sneak Preview–Teaser Clips
Riley Andersen is a young girl of 11 who becomes severely depressed after her parents’ decision to move from Minnesota to San Francisco. The movie begins at the moment of Riley’s birth in Minnesota, shown from Riley’s point of view. Her first Emotions (depicted as loveable anthropomorphized characters) are Joy (feeling secure in her parent’s love) and Sadness (when she needs something or feels ignored or in pain). As Riley grows into early toddlerhood, sometimes her needs and desires are thwarted and Anger takes over and she throws a tantrum. Around the same time she is also capable of feeling Fear or Disgust (both necessary for her survival), and it’s at those times those characters become dominant in Riley’s growing mind.
When the five Emotions work together in harmony, not overstepping each other’s boundaries and only doing the jobs assigned to them, this teamwork manifests in Riley as a well-adjusted little girl able to feel all her emotions at the appropriate times.
The five Emotions work in Headquarters, which is the conscious part of Riley’s young mind. Joy is responsible for making sure Riley’s short term memories are sent to Long Term Memory deep in Riley’s subconscious. Her memories are depicted as glowing colored orbs containing a ghostly image of the actual memory. The color of the orbs represent the dominant Emotion Riley felt at the time of the event. Transporting Short Term memories into Long Term Memory happens during Dream Production as Riley sleeps, and sometimes the other Emotions are needed to help Joy do her job getting the memories there (and sometimes discarding certain irrelevant or painful ones.) Occasionally the other Emotions (as well as Riley’s imaginary childhood friend, Bing Bong, who is a jokester) like to play little jokes–and certain irrelevant memories like an annoying gum commercial jingle are sent to Long Term Memory along with the important memories, which causes Riley to occasionally hear the gum jingle in her head at random times years later.
At the center of Headquarters is the vault which contains Riley’s Core Memories–important but happy long term memories that are responsible for Riley’s happy go lucky personality. The orbs that represent these are colored gold (Joy’s color) and for Riley’s continued mental health, these core memories must not be contaminated by the other Emotions, which is why they are kept locked in a vault. Each of the Core Memories has a long glowing tube that leads to one of Riley’s Five Islands of Personality: Family, Goofiness, Hockey (which she loves to play), Friendship, and Honesty. Maintaining these islands is necessary for Riley’s continued normal psychological development.
The crisis in Riley’s mind is set off when her family moves from her beloved Minnesota to San Francisco. Moving away is always a traumatic event for even the most loved child. Feeling isolated from her old friends and lonely in a place she doesn’t know, Riley’s Emotions begin to make mistakes and not work in sync. Joy and the other Emotions have never been sure of Sadness’s purpose because she just seems to be a Debbie Downer who is always in the way and always making mistakes. It’s Joy’s job to keep Riley’s happiness intact, but one day shortly after the traumatic move, Sadness goes around touching Riley’s happy memories, turning them blue (sad). Joy frantically tries to undo the damage but the memories already touched cannot be repaired. Desperate, Joy tries to isolate Sadness to prevent her from doing any more damage.
On Riley’s first day at her new school, Sadness takes over and Riley begins to cry in class, which creates a new but painful core memory. Joy frantically tries to keep this new core memory from reaching the central vault, but in her struggle with Sadness, who seems to keep contaminating more memories, she accidentally knocks out some of Riley’s untouched happy core memories, which fall off into the abyss. These memories are almost impossible to retrieve once lost to Riley’s Unconscious. Worse yet, both Joy and Sadness are sucked through the Long Term Memory Tube themselves, and are both lost deep in Riley’s vast and labyrinthine Unconscious.
During Joy and Sadness’s absence, Anger, Fear and Disgust attempt to run Headquarters in their place and make a holy mess of things. They attempt to provide “joy” but of course it’s faked now, rather than genuine. Sadness too is absent, so Riley can no longer longer cry or even feel grief over her loss. Anger, Fear and Disgust manifest in Riley’s new insolent and angry attitude toward her parents and loss of interest in the things she used to love. With the core memories now missing or contaminated, one by one the Five Islands of Personality crumble and fall into the abyss of the Memory Dump, a place deep in Riley’s mind where old memories are forgotten. The first Island to crumble into oblivion is Goofiness (Riley’s sense of humor), followed by Hockey (which she quits), and then Friendship (she no longer has any desire to make new friends).
Joy and Sadness find themselves adrift after falling through the Long Term Memory tube deep into Riley’s unconscious mind.
Desperate, Anger decides to insert in Riley’s mind the idea to run back to Minnesota. He plugs this into the Control Console, in the belief this can produce new happy memories. This requires Riley to steal money from her mother’s purse in order to fund her trip back to Minnesota, and then she lies about the theft. As a result, the second to last Island left, Honesty, falls away in ruins into the Memory Dump.
Back in the abyss of Riley’s deep Unconscious, Joy and Sadness run into Bing Bong, Riley’s long forgotten childhood imaginary friend. Bing Bong wants to reconnect with Riley, so he tells Joy and Sadness they can all get back to Headquarters by riding the Train of Thought. After a series of failed attempts, they eventually catch the train, but it becomes derailed when the last personality island, Family, falls into the Dump.
At this point, giving any more away would be spoiling the plot, but gradually Joy and Sadness, who have always been at odds with each other, realize that in order for Riley to return to her normal happy state of mind, they must work together as a team and Sadness has the biggest job of all. Riley must be able to experience–and receive–empathy and love (which comprise both joy and sadness) to heal from her near-catatonic depression.
As a blogger about narcissism and personality disorders, I see Riley at this point in grave danger of suicide or developing a personality disorder, even NPD or BPD. Her trauma-induced depression has caused her to become apathetic and unable to feel anything at all. What happens next is so magical and touched me so deeply I sat there in the darkened theater with tears running unchecked down my face and my nose running. I wasn’t alone–I heard sniffles and nose blowing all over the theater, and there’s a safety and sense of connection with total strangers that comes from that, and that’s why going to see a good movie never gets old. There’s something wonderfully liberating about being able to cry in a public place yet unseen by others and unjudged for it because everyone else is crying too. I think that’s why “heartstring tugging” movies are so popular. But the emotions elicited in “Inside Out” feel real–there’s no sappiness or fake sentimentality in this film that make you feel manipulated by the producers.
The five Islands of Personality.
But for all its poignancy, “Inside Out” has plenty of humor too, and all the jokes are clever and well timed. At times during the movie I was both laughing and crying at the same time. The Five Emotions are all funny characters with their own unique charm. Even Anger is loveable and hilarious in his own irascible way, and the Tinker-Bell like Joy, who could have been incredibly annoying for all her upbeat perkiness, has a depth you don’t expect and over time you realize she is the only Emotion who can feel all the other Emotions. I pictured Joy and Sadness as really being the same person–the two sides of Riley’s True Self–and when they were lost in Riley’s memory dump, Riley’s behavior became quite narcissistic. It wasn’t lost on me that both Joy’s hair color and her “aura” are colored blue–Sadness’ color.
Pete Doctor, the film’s director and screenwriter, was inspired to develop “Inside Out” while trying to come to terms with his own daughter’s psychological changes and mood swings as she approached adolescence. To give the complex psychological concepts presented credibility, well-known developmental psychologists were consulted during pre-production. It’s obvious that a deep knowledge of the way the human mind works fueled both the story and the landscape of Riley’s mind. Kids will adore “Inside Out” because of its lovable characters, fantastic animation, humor, its engaging story about a regular girl, and impressive special effects. In the theater I saw it in, there were plenty of children there, and all of them were rapt in the story.
But adults will love it just as much because of the movie’s deep message of Empathy being born from pain and loss, and the necessity of “negative” emotions to exist in a healthy person’s psyche, working in tandem with “positive” ones. Understanding the movie at this level requires an ability to think in an abstract way about the mechanisms behind personality development and psychological disorders. “Inside Out” is a rare movie that celebrates the human ability to feel, and to love, cry, connect, and laugh. It tells kids that all their emotions are okay, and experiencing them is normal and just part of growing up.
Parents, if you have children ages 4 to early teens, please take them to see “Inside Out.” Both you and they will leave the theater feeling great, and the ideas presented in the story can open up honest discussion about emotions between parents and their children. I’d even go so far as to suggest teachers show this movie to their students, and engage them in discussion afterwards.
I find it encouraging and heartening that such an honest and touching movie with a positive message about genuine emotions and empathy has become the hit of the summer, instead of the usual mindless dreck that passes for summer blockbusters.
“Inside Out” is rated PG. I would not recommend it for children age 3 and younger, due to several quite scary moments that could give a young child nightmares.
Riley with her concerned parents at the dinner table.
“Inside Out” is a 2015 American 3D computer-animated comedy-drama film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed and co-written by Pete Docter, the film is set in the mind of a young girl, Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Anger (Lewis Black), Disgust (Mindy Kaling), Fear (Bill Hader), and Sadness (Phyllis Smith)—try to lead her through life as she moves with her parents (Diane Lane and Kyle MacLachlan) to a new city. The film was co-directed and co-written by Ronnie del Carmen and produced by Jonas Rivera, with music composed by Michael Giacchino.
Docter first began developing Inside Out in 2009 after noticing changes in his daughter’s personality as she grew older. The film’s producers consulted numerous psychologists, including Dacher Keltner from the University of California, Berkeley, who helped revise the story emphasizing the neuropsychological findings that human emotions are mirrored in interpersonal relationships and can be significantly moderated by them.
After premiering at the 68th Cannes Film Festival in May, Inside Out was released on June 19, 2015. It received universal critical acclaim, with many film critics praising the voice performances (particularly for Poehler, Smith, and Richard Kind), its concept and poignant subject matter. The film grossed $90.4 million in its first weekend—the highest opening for an original title, besting Avatar ’s previous record.