Spiritual girth.

black_choir
Soweto Gospel Choir

I used to marvel at gospel and opera singers when I was a kid. It seemed like so many of them, if not most of them, were fat.  To my young mind, this didn’t seem like a health problem, but a requirement for good singing. I imagined these singers’ big bodies to be filled with music instead of fat. Their big, powerful pipes would not have been able to make the sounds they did if they came from small, thin bodies.

On several occasions in the past, I’ve attended Black Baptist services and am always so impressed and moved by the gospel singers’ strong and powerful faith that they express through music, and the spiritual transcendance that infects the entire congregation whenever they sing. Their voices and harmonies alone can send the Holy Spirit into every spectator in the room. These big, soulful gospel hymns aren’t called “spirituals” for nothing! Even if you’re not a believer, you can’t listen to a Black Baptist choir and not feel their joy. Joy in spite of the harsh realities of racism, discrimination, oppression, grinding poverty, and a second class status in the white man’s world. Where does all that joy come from? Strong faith in the One who created them seems to be the only answer.

And while not all are, many of the singers with the biggest voices happen to be big ladies or men. I really think those big gospel singers need those imposing bodies to hold in the Holy Spirit that fills them with song, and then spreads to everyone who hears them. I call this “spiritual girth.”

Aretha Franklin started her career as a gospel singer and never gave up singing spiritual songs, like this big soul/gospel hit from 1968 (also recorded the same year by Dionne Warwick in a more subdued style).   Burt Bacharach wrote the tune.

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